It is such a relief to hear the music swell up at the end of a Roland Emmerich movie, its restorative power giving us new hope. Billions of people may have died, but at least the major characters have survived. Los Angeles was wiped out by flying saucers in Emmerich’s “Independence Day,” New York was assaulted in his “Godzilla,” and now, in “The Day After Tomorrow,” Emmerich outdoes himself: Los Angeles is leveled by multiple tornados, New York is buried under ice and snow, the United Kingdom is flash-frozen, and lots of the Northern Hemisphere is wiped out for good measure. Thank god that Jack, Sam, Laura, Jason and Dr. Lucy Hall survive, along with Dr. Hall’s little cancer patient.
das happy end in emmerich filmen hinterfragend